My practice centers on abstract 3D visuals and real-time audiovisual systems in which visual form is carefully shaped through sound-driven modulation and feedback. Rather than working with fixed compositions, I construct visual structures that unfold over time, allowing motion, color, and spatial relationships to evolve within defined constraints.

Visual clarity and abstraction are central to the work. Form is authored and intentional, while remaining responsive to live sound, signal variation, and temporal change. The work balances control and openness, composition and emergence.

My research explores how abstract visual form can be produced through rule-based and feedback-driven processes. Working across physical and digital environments, I develop improvisational audiovisual frameworks in which sound influences visual density, rhythm, and spatial behavior in real time.

Improvisation functions as an artistic method: a way of navigating visual systems, testing compositional thresholds, and refining visual behavior as it unfolds.

Live / Installations

Live performances and installations extend my visual practice into durational and site-responsive contexts. The works are composed as evolving systems that adapt to acoustic conditions, spatial architecture, and live musical input while maintaining a strong visual presence.

Collaborations with musicians operate as shared compositional processes, where sound functions as a generative force shaping visual rhythm, structure, and intensity over time.

Photos Henry Schulz, Fabian Thueroff

Research & Methodology

Artistic practice